At the opening ceremony that day,the director of the Palace Museum Shan Jixiang sent the first day cover stamped with the postmark of"The Palace Museum"to Feng Mingzhu,the director of the National Palace Museum in Taipei."Less greetings,more unspoken words"-In January this year,when Feng Mingzhu,the director of the National Palace Museum in Taipei,visited the National Palace Museum in Beijing,Shan Jixiang used this sentence to describe how they felt when they met each other.

　　"Send the first first day cover to Dean Feng Mingzhu.Is there a more memorable alternative than this?"On the 18th-the 37th International Museum Day,the Palace Museum officially opened postal services to tourists.At the opening ceremony that day,the director of the Palace Museum Shan Jixiang sent the first day cover stamped with the postmark of"The Palace Museum"to Feng Mingzhu,the director of the National Palace Museum in Taipei.

　　Why did you choose to send your first first day cover to Taipei?Shan Jixiang said in an interview with reporters that postal products such as postcards and first day covers are carriers for keeping in touch,communicating feelings,and preserving memories between relatives,friends and family.The Forbidden City of Beijing and the Forbidden City of Taipei are of the same origin,and they were originally one family.The opening of the postal service in the Forbidden City in Beijing made him naturally think of colleagues in the Forbidden City on the other side of the Taiwan Strait.It also evoked the fond memories of being warmly received by Dean Feng Mingzhu during a visit to the Forbidden City in Taipei not long ago."Through this first day cover,a friendship was erected.Bridges,conveying sincere blessings,cherishing beautiful memories,and stimulating cultural creativity,and jointly inherit and carry forward Chinese culture."

　　In recent years,the exchanges between the Palace Museum on both sides of the strait have been greatly developed,from individual scholar exchanges in the past to exchanges in various fields such as literature,cultural relics,exhibitions,publications,and cultural products.This has strengthened the ties between the Palace Museum on both sides of the strait and filled the gap in exchanges.In February 2009,Zhou Gongxin,then president of the National Palace Museum in Taipei,led a delegation to visit the National Palace Museum in Beijing for the first time in 60 years.Subsequently,through friendly and frank talks and full communication,the two sides reached a preliminary agreement on the establishment of cooperation and exhibition exchange mechanisms in the Forbidden City on both sides of the strait.

　　"Less greetings,more tacit consent"-In January of this year,when Feng Mingzhu,the director of the National Palace Museum in Taipei,visited the National Palace Museum in Beijing,Shan Jixiang used this sentence to describe how they felt when they met each other.During the period,they watched the drama"The Begonia Is Still",written and performed by the staff of the Forbidden City in Beijing,which showed the history of the southward migration of the Forbidden City cultural relics,and relived the hard years of the old"Forbidden City people"who paid hard work and sweat to protect the national treasure in the war years.The joys and sorrows of the little people under the changes of the times moved the"heads"of the Forbidden City on both sides of the strait.The common feelings of the Forbidden City gave each other a basis for further cooperation.After that,they spent two hours discussing many issues for the next cooperation.

　　In mid-to-late April,Shan Jixiang,who went to Taiwan for the first time as the director of the Palace Museum,paid a return visit to the National Palace Museum in Taipei,and described the 5-day visit to Taiwan as"return visits between relatives".meaningful thing".He said that the Palace Museum in Beijing will continue to support and value cross-strait cultural exchanges and cooperation.During this visit,the two directors confirmed the final list of 42 sets(45 pieces)of precious cultural relics that will be loaned to the National Palace Museum in Taipei for the"Special Exhibition of Qianlong Emperor's Art Space"in October this year,including paintings,calligraphy and ceramics.,Lacquerware,Jadeware and other categories will play an important supplementary role in interpreting the theme of the exhibition.Among them are British 18th-century bronze-plated horse-pull clocks,the Qing dynasty painting Hongli"is one is two pictures axis"(Naluoyan cave version)and Yuanmingyuan copper engravings(Haiyantang)and other famous works;there is also one A 60-meter-long Qianlong tour to the south.Regarding the loan collection,Shan Jixiang frankly said that"their requirements were met to the greatest extent."According to the reporter's understanding,this is the fourth exhibition cooperation since the National Palace Museum on both sides of the Taiwan Strait reached a consensus on cooperation and exchange in 2009,and it is also the largest one,and this exhibition is the first cooperation between the National Palace Museum on both sides of the strait without the participation of a third museum.

　　Regarding the fact that the cultural relics of the National Palace Museum in Taipei cannot be exhibited on the mainland,Shan Jixiang said bluntly,"It is a pity,especially for the deepening of museum exchanges.But this is not a problem that can be solved at the level of the two museums.It needs attention and attention from all aspects of society.Work hard".He said that the two sides currently maintain a very open communication channel,and the content of cooperation can be determined through timely communication.In the future,both parties will continue to work together to further expand two-way and normal exchanges and cooperation.