Management Team
Number of views:
1000
Bronze Mirror with Four Breasts and Animal Pattern
Retail price
0.0
元
Market price
0.0
元
Product serial number
Category
Bronze
Quantity
-
+
Stock:
0
Detailed introduction
检查指南
Eastern Han Dynasty (25—220 AD)
diameter 18.4 cm, button height 1.4 cm, edge thickness 0.7 cm
Unearthed from the third briquettes factory in Wanli District, Nanchang City in 1996
Photography equipment. Bronze. A tiger is decorated under the semicircular button seat, and part of the body is embodied around the seat. The main area outside the four sides of the broad concave line box is decorated with a bird or a beast, which is a dragon, a phoenix, a unicorn, and a tiger, and they are separated by a breast. The wide flat rim is decorated with a curling cloud pattern, which is one of the popular patterns on bronze mirrors in the Eastern Han Dynasty. The bronze mirror has a bas-relief shape, drawn with lines, and the picture is full. The beasts are strong and vigorous, full of vitality, showing the meaning of auspiciousness. The picture on the mirror creates a scene of gods, birds and beasts in the sky, accompanied by clouds.
Keyword:
the
is
and
of
in
cm
decorated
with
beasts
Scan the QR code to read on your phone
Previous
None
Recommended boutique
In 2020, the first batch of T-shirts signed by 138 members of Jiangxi's medical aid team (donated by Zhao Lin)
Nanchang Museum was founded in 1984. It is a comprehensive topographical museum. It mainly collects historical relics that can represent and reflect the long history and culture of Nanchang and Jiangxi. At the same time, it is dedicated to the research and promotion of the history and culture of Nanchang. The museum currently houses various precious cultural relics such as ceramics, bronzes, coins, stoneware, jadeware, lacquerware, and woodware, among which the Hongzhou kiln celadon is the most distinctive.
Wuchang Fangcai Hospital Wuhan Refueling Commemorative Shirt
Nanchang Museum was founded in 1984. It is a comprehensive topographical museum. It mainly collects historical relics that can represent and reflect the long history and culture of Nanchang and Jiangxi. At the same time, it is dedicated to the research and promotion of the history and culture of Nanchang. The museum currently houses various precious cultural relics such as ceramics, bronzes, coins, stoneware, jadeware, lacquerware, and woodware, among which the Hongzhou kiln celadon is the most distinctive.
"Three liters" lacquer bowl
The bowl was first seen in the Neolithic Age and has been used in subsequent generations. With the eastward spread of Buddhism, a vessel similar to a Chinese bowl was introduced. It has a big mouth, flat body, and flat bottom. As one of the six Buddhist monks, it is also a food container for monks. The Northern Song Dynasty Gao Cheng’s "Ji Yuan · Shi Wu Ji Yuan· Bowl" contains: “This Tianzhu country implements, the old saying is that the bowl is many arhats, the cloud should be the measuring device, and the other dialect is omitted, so the name is bowl. The Buddha Bowl in the West is also. The king of Song Lujiang paid Zuzhen with a copper bowl. Between the Jin and Song dynasties, it was first used by Zhongxia. "It can be seen that the bowls used by Buddhists and monks were popular in the Six Dynasties. There are many bronze and celadon bowls in the Tang Dynasty. The blue and white porcelain bowls are popular in the Five Dynasties and Song Dynasty, and those with intact lacquer bowls of various generations are rare. This lacquer bowl is written "three liters" to prove that it can be eaten. Therefore, the lacquer bowl is very precious and provides a rare material for the study of Buddhism in the Tang Dynasty.
Painted red and black binaural lacquer cup
drinker. Lacquerware, wooden tires. The cup has a wide flat bottom, an elliptical cross-section, and both ends are upturned. There are semicircular handles on both sides of the mouth, like human ears. The outer and inner mouths are painted with black lacquer, and the rest of the inner walls are painted with red lacquer. The ear cup is also called "feather goblet" because its two ears are like the wings of a bird. The Ercui Warring States period appeared, prevailed in the Han Dynasty, and continued to be used in the Jin Dynasty. Common materials for ear cups include stone, pottery, copper, porcelain, and lacquerware. The Western Jin Dynasty was at the time of the decline of binaural cups, and lacquered ear cups became less and less. The celadon ear cups were also short-lived and later replaced by round cups.
Hollow trumpet creeper sapphire pendant
blue and white jade, with chloasma spots, slightly oval in shape, using double-layer openwork technology to engrave four overlapping trumpet creepers, two facing upwards and two facing downwards.
Jade bowl
furnishings. Jade, cyan. Open, arc wall, flat bottom. This thin, crystal-clear sapphire bowl is not a practical object, but a furnishing. Chinese people have a history of 7,000 years of worshipping jade, using beautiful stones as jade and personalizing jade. Jade has become a Chinese artwork with strong national characteristics. The jade color is colorful, and the color is an important criterion for judging the grade of jade. White is the top, and blue is the elegance. The sapphire has an implicit rhyme and conforms to the traditional Chinese aesthetic concept.
Feifengjin picks heart
Ming Dynasty gold and silver jewelry has rich styles and complex combinations. The various hairpins in a pair of heads and faces are named because of their location. Heart-picking is the bottom-up hairpin inserted in the center of the hair bun on the upper forehead, so it is called "heart-picking". It is the most conspicuous position in jewelry.
Bronze Mirror with Four Breasts and Four Gods from Changyi Son Sun Ming
Photography equipment. Bronze. The round button has a four-leaf pattern button seat. There is a seal script between the leaves. The four characters are read together as "Changyi descendants". The main area is decorated with blue dragon, white tiger, red bird and basalt motifs, and is separated by four persimmon pedicle patterns.
All rights reserved：Nanchang City Museum Jiangxi ICP No. 13000079-1 www.300.cn
Address: North Exit of Shiyao Road, Jingshan Street, Qingyunpu District, Nanchang City
TEL：0791-86411236
Tuesday to Sunday 9:00-17:00 (Last admission at 16:00)
Closed on Monday, open on holidays
If there is a need to temporarily close the museum, it will be notified to the public at that time
This website supports IPV6 access
No public