Jade bowl_Exhibition hall of the New Fourth Army headquarters in Nanchang

In 2020, the first batch of T-shirts signed by 138 members of Jiangxi's medical aid team (donated by Zhao Lin)

Nanchang Museum was founded in 1984. It is a comprehensive topographical museum. It mainly collects historical relics that can represent and reflect the long history and culture of Nanchang and Jiangxi. At the same time, it is dedicated to the research and promotion of the history and culture of Nanchang. The museum currently houses various precious cultural relics such as ceramics, bronzes, coins, stoneware, jadeware, lacquerware, and woodware, among which the Hongzhou kiln celadon is the most distinctive.

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Wuchang Fangcai Hospital Wuhan Refueling Commemorative Shirt

Nanchang Museum was founded in 1984. It is a comprehensive topographical museum. It mainly collects historical relics that can represent and reflect the long history and culture of Nanchang and Jiangxi. At the same time, it is dedicated to the research and promotion of the history and culture of Nanchang. The museum currently houses various precious cultural relics such as ceramics, bronzes, coins, stoneware, jadeware, lacquerware, and woodware, among which the Hongzhou kiln celadon is the most distinctive.

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"Three liters" lacquer bowl

The bowl was first seen in the Neolithic Age and has been used in subsequent generations. With the eastward spread of Buddhism, a vessel similar to a Chinese bowl was introduced. It has a big mouth, flat body, and flat bottom. As one of the six Buddhist monks, it is also a food container for monks. The Northern Song Dynasty Gao Cheng’s "Ji Yuan · Shi Wu Ji Yuan· Bowl" contains: “This Tianzhu country implements, the old saying is that the bowl is many arhats, the cloud should be the measuring device, and the other dialect is omitted, so the name is bowl. The Buddha Bowl in the West is also. The king of Song Lujiang paid Zuzhen with a copper bowl. Between the Jin and Song dynasties, it was first used by Zhongxia. "It can be seen that the bowls used by Buddhists and monks were popular in the Six Dynasties. There are many bronze and celadon bowls in the Tang Dynasty. The blue and white porcelain bowls are popular in the Five Dynasties and Song Dynasty, and those with intact lacquer bowls of various generations are rare. This lacquer bowl is written "three liters" to prove that it can be eaten. Therefore, the lacquer bowl is very precious and provides a rare material for the study of Buddhism in the Tang Dynasty.

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Painted red and black binaural lacquer cup

drinker. Lacquerware, wooden tires. The cup has a wide flat bottom, an elliptical cross-section, and both ends are upturned. There are semicircular handles on both sides of the mouth, like human ears. The outer and inner mouths are painted with black lacquer, and the rest of the inner walls are painted with red lacquer. The ear cup is also called "feather goblet" because its two ears are like the wings of a bird. The Ercui Warring States period appeared, prevailed in the Han Dynasty, and continued to be used in the Jin Dynasty. Common materials for ear cups include stone, pottery, copper, porcelain, and lacquerware. The Western Jin Dynasty was at the time of the decline of binaural cups, and lacquered ear cups became less and less. The celadon ear cups were also short-lived and later replaced by round cups.

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Hollow trumpet creeper sapphire pendant

blue and white jade, with chloasma spots, slightly oval in shape, using double-layer openwork technology to engrave four overlapping trumpet creepers, two facing upwards and two facing downwards.

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Jade bowl

furnishings. Jade, cyan. Open, arc wall, flat bottom. This thin, crystal-clear sapphire bowl is not a practical object, but a furnishing. Chinese people have a history of 7,000 years of worshipping jade, using beautiful stones as jade and personalizing jade. Jade has become a Chinese artwork with strong national characteristics. The jade color is colorful, and the color is an important criterion for judging the grade of jade. White is the top, and blue is the elegance. The sapphire has an implicit rhyme and conforms to the traditional Chinese aesthetic concept.

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Feifengjin picks heart

Ming Dynasty gold and silver jewelry has rich styles and complex combinations. The various hairpins in a pair of heads and faces are named because of their location. Heart-picking is the bottom-up hairpin inserted in the center of the hair bun on the upper forehead, so it is called "heart-picking". It is the most conspicuous position in jewelry.

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Bronze Mirror with Four Breasts and Four Gods from Changyi Son Sun Ming

Photography equipment. Bronze. The round button has a four-leaf pattern button seat. There is a seal script between the leaves. The four characters are read together as "Changyi descendants". The main area is decorated with blue dragon, white tiger, red bird and basalt motifs, and is separated by four persimmon pedicle patterns.

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